• KACF
    KOREA AI CINEMA FESTIVAL
    AI로 만든 영화의 향연, 대한민국인공지능영화제(KACF)

    2026 OFFICIAL SCHEDULE

    June 16 - Opening Date

    October 31 - Regular Deadline

    November 22 - Official Notification

    December 17–19 - Korea AI Cinema Festival
  • 2026년 12월 17일 대한민국인공지능영화제 개최!!
    홍건표 AI영화공작소와 KACF가 공동 주최하는
    대한민국 AI 영화제는 AI 영상 제작의 다양한 분야를 아우르는
    8개 공식 경쟁 부문으로 진행됩니다.
    AI Film / AI Music Video / AI Movie Director / Best Animation Short /
    Best AI Commercial Film / Best Trailer / Film Poster / Screenwriter
  • KOREA AI CINEMA FESTIVAL
    Festival Video of KACF
    AI Film (1회 출품작)
    Best Animation Short (1회 출품작)
    AI Music Video (1회 출품작)
    KACF Team



    Jung-Wook Kim (Jury President)

    Jung-Wook Kim is the President of the Jury of the Korea Artificial Intelligence Cinema Festival (KACF) and a filmmaker, educator, and humanities lecturer who bridges cinematic practice with humanistic film education. As CEO of True Rise Pictures Co., Ltd., he balances film production with teaching as an Adjunct Professor at Baekseok Arts University and lead mentor of the film humanities program All the Films in the World (세상의 모든 영화). His works—including Cute Man (귀여운 남자), Sait-Sonic (사이소닉), and socially engaged films such as the DMZ Forum Opening Film—have earned international recognition across major festivals. Through filmmaking, media commentary, and education, Kim shares a vision of “seeing the world through film,” bringing artistic depth and critical insight to the evaluation of AI-driven cinema at KACF.

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    Jung-So Lee

    Jung-So Lee is a Ph.D. in Philosophy and a scholar-practitioner whose work bridges humanities, child welfare, education, and public discourse. Grounded in philosophical inquiry, he translates critical reflection into practical frameworks for social policy and welfare practice. He previously served as Director of the Gyeonggi-do Independent Living Support Institution, leading support systems for youth transitioning out of care, and currently serves as Director of the Institute for Child Welfare Practice, where he develops practice-oriented research models. As an Adjunct Professor at Sehan University and Dongwon University, and Editor of Church and Municipal Journal, he continues to connect philosophy, education, and social responsibility in pursuit of the public good.

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    Jong-Min Ahn

    Jong-Min Ahn is a composer and producer whose work spans games, advertising, K-pop, and musical theatre, exploring music that transcends media formats and genre boundaries. Known for his strong narrative sensibility, he crafts sound that effectively conveys emotion and story. He has composed immersive game music for titles such as the Digimon series, produced memorable advertising music for brands like Insaeng Ne-Cut (Life Four Cuts), and collaborated with K-pop artists including Glass Heart and Mirani. He has also served as composer and music director for stage productions such as Cocomong, Producer, and Hae-eohwa: Blooming Again, demonstrating how music can function as a core element connecting narrative and emotion across diverse media.

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    Ali Sabokbar
    Chair of External Relations

    Ali Sabokbar is an independent filmmaker and screenwriter from Iran whose works include The Bride Has a Doll in Her Hands, Dirty Water, Gladiator Baby, Qajari Coffee, Abnabat Najva, and Murder. His creative practice focuses on independent cinema that combines human emotion, social reality, and symbolic imagery. Through his films, he explores themes of memory, identity, loneliness, love, and the inner conflicts of human life. In recent years, he has incorporated artificial intelligence into his filmmaking process, exploring new forms of cinematic expression and the creative possibilities of AI-based visual storytelling. Ali Sabokbar is also serving as a jury member for the 3rd Korea AI Cinema Festival, contributing his experience as an independent filmmaker and screenwriter to the festival’s evaluation process.

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    Soegimitro BOOM
    Chair of External Relations

    Soegimitro BOOM is an Indonesian AI filmmaker, branding consultant, and creative director known for combining storytelling, visual art, and artificial intelligence. His AI films have been officially selected at more than 100 international film festivals across 29 countries and six continents, earning multiple awards and recognitions worldwide. His works include WORTHY, PEPE – BE YOURSELF, BEHIND THE MASK: JERRY, and LUNO & LUNA – SAVE THE EARTH, which have received recognition in the United States, France, South Korea, India, and other countries. In addition to his filmmaking career, Soegimitro is a two-time AI Master Award winner and a 26-time winner of Kling AI competitions. His creative practice explores how artificial intelligence can expand human creativity while preserving the emotional power of storytelling. Based in Indonesia, he continues to create AI-driven films, music videos, and experimental visual projects that connect audiences across cultures and generations. Soegimitro BOOM is serving as a jury member for the 3rd Korea AI Cinema Festival, contributing his experience in AI filmmaking, visual storytelling, branding, and creative direction to the festival’s evaluation process.

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    Jury Member

    Keon-Pyo Hong
    Founder & Chairperson

    Keon-Pyo Hong is the Founder and Chairperson of the Korea Artificial Intelligence Cinema Festival (KACF) and a pioneering director redefining generative AI as a new cinematic language. He uses AI not merely as a technical tool, but as a creative medium that expands narrative depth and visual expression. Internationally recognized, he has received multiple awards at film festivals in Los Angeles, Seoul, Poland, and Bulgaria, earning acclaim for both artistic vision and experimental rigor. He currently serves as an Adjunct Professor at Konkuk University and is also active as a children’s book author, bringing strong narrative sensibility to his work. As the Founder and Director of Keon-Pyo Hong AI Film Studio and a YouTube creator with over 60,000 subscribers, he shares insights into AI filmmaking worldwide. Through KACF, he continues to build a global platform positioning AI cinema as a sustainable evolution of contemporary film culture.

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    Jung-Wook Kim
    Jury President

    Jung-Wook Kim is the President of the Jury of the Korea Artificial Intelligence Cinema Festival (KACF) and a filmmaker, educator, and humanities lecturer who bridges cinematic practice with humanistic film education. As CEO of True Rise Pictures Co., Ltd., he balances film production with teaching as an Adjunct Professor at Baekseok Arts University and lead mentor of the film humanities program All the Films in the World (세상의 모든 영화). His works—including Cute Man (귀여운 남자), Sait-Sonic (사이소닉), and socially engaged films such as the DMZ Forum Opening Film—have earned international recognition across major festivals. Through filmmaking, media commentary, and education, Kim shares a vision of “seeing the world through film,” bringing artistic depth and critical insight to the evaluation of AI-driven cinema at KACF.

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    Eun-gyu Lee
    Chair of External Relations

    Eun-Gyu Lee serves as the Director of External Relations of the Korea Artificial Intelligence Cinema Festival (KACF) and is widely recognized as a leading Korean television drama director and producer, with 30 years of experience at MBC Broadcasting Station. He played a key role in shaping the narrative depth and popular appeal of Korean television drama. During his career at MBC, Lee directed the iconic long-running series Country Diaries (Jeonwon Ilgi), as well as notable dramas such as Walking Up to the Sky (걸어서 하늘까지), and participated in the planning of the hit miniseries Coffee Prince (커피프린스 1호점). His achievements have been internationally recognized, including major awards at the WorldFest-Houston International Film Festival and the Asian TV Awards. He currently serves as President of the Drama Creators Association and teaches at the Broadcasting Writers Academy, while contributing to KACF by expanding partnerships and fostering dialogue between traditional storytelling and AI-driven cinema.

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